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c. 1445 – May 17, 1510. Italian painter.

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BAROCCI, Federico Fiori
Annunciation 7898

ID: 04933

BAROCCI, Federico Fiori Annunciation 7898
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BAROCCI, Federico Fiori Annunciation 7898


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BAROCCI, Federico Fiori

Italian Baroque Era/Mannerist Painter, ca.1535-1612  Related Paintings of BAROCCI, Federico Fiori :. | Aeneas' Flight from Troy | Rest on the Flight to Egypt sw | Francesco II della Rovere | St Jerome | Annunciation 7898 |
Related Artists:
Sergei Ivanov
Russian Painter and Printmaker, 1864-1910
Aelbert Cuyp
1620-1691 Dutch Aelbert Cuyp Locations Painter and draughtsman, son of Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible. He became popular in the late 18th century, especially in England.
MIGNON, Abraham
Dutch Baroque Era Painter, 1640-1679 Dutch painter, was born at Frankfurt. His father, a merchant, placed him under the still-life painter Jacob Marrel, by whom he was taken to the Netherlands about 1660. He then worked under Jan Davidszoon de Heem at Utrecht, where in 1675 he married the daughter of the painter Cornelis Willaerts. Sibylle Merian (1647-1717), daughter of the engraver Matthew Merian, became his pupil and achieved distinction as a flower painter. He died at Utrecht. Mignon devoted himself almost exclusively to flowers, fruit, birds and other still-life, though at times he also attempted portraiture. His flower pieces are marked by careful finish and delicate handling. His favourite scheme was to introduce red or white roses in the centre of the canvas and to set the whole group of flowers against a dark background. Nowhere can his work be seen to better advantage than at the Dresden Gallery, which contains fifteen of his paintings, twelve of which are signed. Six of his pictures are at the Louvre, four at the Hermitage, and other examples are to be found at the museums of Amsterdam,






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